Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.to/LoboSacredVocal Also available for licensing : https://www.brilliantclassicslicensing.com/albums/lobo-sacred-vocal-music/ More Information: https://www.brilliantclassics.com/articles/l/lobo-sacred-vocal-music/ Social media: Brilliant Classics Facebook: https://brilliant-classics.lnk.to/Facebook Brilliant Classics Instagram: https://brilliant-classics.lnk.to/Instagram Spotify Playlists: Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify New Classical Releases: https://brilliant-classics.lnk.to/NewReleases The Best of Liszt: https://brilliant-classics.lnk.to/Playliszt The Best of Bach: https://brilliant-classics.lnk.to/BestOfBachPlaylist Most Popular Piano Music: https://brilliant-classics.lnk.to/MostPopularPiano Beautiful Classical Music: https://brilliant-classics.lnk.to/BeautifulClassicalMelodies Classical Music For Dinnertime: https://brilliant-classics.lnk.to/ClassicalMusicforDinnertime Composer: Alonso Lobo Artist: Coro Victoria Ana, Fernández-Vega conductor Motets and Mass movements by a master from the Golden Age of Spanish polyphony. On this new recording, Coro Victoria offers a portrait of Alonso Lobo (1555-1617) through a cross-section of his sacred output (his works in Spanish are all lost). The group also illustrates the variety of interpretative practices of the period. The concluding O quam suavis est Domine is sung by a single soprano while the vihuela accompaniment supplies the remaining five parts. Church choirs sang this music in the liturgy, but minstrels also played it during processions, and there was free traffic between sacred and secular contexts. Coro Victoria was founded by its director, Ana Fernández-Vega, to recover and preserve a native, historically informedtradition of singing Spanish polyphony from its Renaissance-era high noon, exemplified not only by Victoria himself but also his contemporaries such as the Seville-born and bred Alonso Lobo (indeed, Victoria considered Lobo his equal). He is now best known for a haunting, six-voice setting of the Requiem, and his magnificent motet for the obsequies of King Philip II, Versa est in luctum shares the Requiem’s tone of mourning and remembrance, established by a dense mesh of overlapping counterpoint. Tracklist: 00:00:00 Ave Regina caelorum a 5 00:03:00 Missa o rex gloriae: I. Kyrie 00:05:41 Missa o rex gloriae: II. Gloria 00:09:32 Ave Maria a 8 00:13:33 Vivo ego, dicit Dominus 00:16:06 Erunt signa in sole 00:19:20 Regina caeli laetare 00:21:50 Credo Romano 00:28:36 Cum audisset Ioannes in vinculis 00:31:07 Sanctus-Benedictus 00:35:31 Versa est in luctum a 6 00:39:56 Libera me, Domine a 5 00:48:14 Agnus dei 00:52:24 Ego flos campi 00:54:32 O quam suavis est Domine Thanks for watching this video by Brilliant Classics, we hope you enjoyed it! Don’t forget to share it and subscribe to our YouTube channel: https://brilliant-classics